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Loxley Canvas – adding paint
Started to add a base of flesh tones. The paint is going on incredibly smoothly – I’m loving these canvases. I’m using raw sienna and light read with white for my flesh tones – these are my go-to colours for portraits. Another layer of paint, the colours are starting to stand out on the linen….
So how did we do in 2017?
This time last year I had the idea of doing 365 sketches in 365 days – and I’ve failed miserably… However, there are plenty of things that proved successful.
Article in Paint – magazine for the SAA
Feeling very pleased with the arrival of the SAA’s Paint magazine today containing, amongst other things, an article I wrote detailing the painting of Charlie and Anna on their wedding day. Taking decent photos following the progress of a painting and, hardest of all, writing blurb to accompany it, makes you really think about what…
Face on Linen (2)
Well I think I got quite carried away when I started on this painting. It occurred to me that I had intended to leave the hair unpainted – never mind, the application of a little alcohol with a toothbrush has taken it back. I may yet repaint the hair, but at least I can see…
Another finished
A bit late posting the completion of this face. The difference between these 2 pictures is minuscule but I’ve included them both anyway commander le viagra. One of the beauties about this method of portrait painting is that, once you’ve established the proportions and tones in the monotone under painting, when it comes to adding…
Christmas is getting closer
We have skipped forward a couple of stages here – I seem to have neglected to photograph the first colour layer in oils. Hopefully the recording I’ve been doing will show the progress from monotone to this stage so watch this space. This has now had a couple of glazes of colour over the skin…


